Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 55
Pagina 81
... feelings under the guise of " purity , " we grant to the author the superiority of his effort to use the novel to ... feeling toward the characters and events of one's story . Although Flaubert did not maintain the distinction clearly ...
... feelings under the guise of " purity , " we grant to the author the superiority of his effort to use the novel to ... feeling toward the characters and events of one's story . Although Flaubert did not maintain the distinction clearly ...
Pagina 248
... feeling uncomfortable , and wanting him very much . to be gone . She did not repent what she had done ; she still ... feels anxiety or shame , we feel analogous emotions . Our modern awareness that such " feelings " are not identical ...
... feeling uncomfortable , and wanting him very much . to be gone . She did not repent what she had done ; she still ... feels anxiety or shame , we feel analogous emotions . Our modern awareness that such " feelings " are not identical ...
Pagina 323
... feeling is a combination of natural detestation and natural fellow feeling : bad as he is , he is made of the same stuff we are . It is not surprising that Richardson's intentions have often been counteracted by this ef- fect.23 THE ...
... feeling is a combination of natural detestation and natural fellow feeling : bad as he is , he is made of the same stuff we are . It is not surprising that Richardson's intentions have often been counteracted by this ef- fect.23 THE ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York