Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 11
Pagina 193
... genius , " an " idealist " but , unlike many idealists , he is aware that the good fortune that makes his " idealism " possible is itself a kind of vulnerability . He is capable of genuine love ; he can give himself far more than most ...
... genius , " an " idealist " but , unlike many idealists , he is aware that the good fortune that makes his " idealism " possible is itself a kind of vulnerability . He is capable of genuine love ; he can give himself far more than most ...
Pagina 212
... genius . There is parody of previous fiction : the laying down of swords , flutes , horns , and other romantic objects was part of the tradition ridiculed in Don Quixote . But quite obviously the most important quality here is something ...
... genius . There is parody of previous fiction : the laying down of swords , flutes , horns , and other romantic objects was part of the tradition ridiculed in Don Quixote . But quite obviously the most important quality here is something ...
Pagina 376
... genius is the one who infuses genius into me . " - VALÉRY " The writer needs a causal connection with his society , some sense that his work does something to make everyone's pri- vacy a privilege rather than a burden . " - HERBERT GOLD ...
... genius is the one who infuses genius into me . " - VALÉRY " The writer needs a causal connection with his society , some sense that his work does something to make everyone's pri- vacy a privilege rather than a burden . " - HERBERT GOLD ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York