Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 75
Pagina 127
know that whatever fulfilment of our expectations we are given will be given with a difference , and we are inevitably curious about what the difference will be . All good works surprise us , and they surprise us largely by bringing to ...
know that whatever fulfilment of our expectations we are given will be given with a difference , and we are inevitably curious about what the difference will be . All good works surprise us , and they surprise us largely by bringing to ...
Pagina 182
... given directly by Faulkner . The question is whether Gavin's elaborate commentary is essentially related to the nephew's experience of a near - lynching and his consequent growth toward maturity . In any “ truth - dis- covery " novel ...
... given directly by Faulkner . The question is whether Gavin's elaborate commentary is essentially related to the nephew's experience of a near - lynching and his consequent growth toward maturity . In any “ truth - dis- covery " novel ...
Pagina 219
... given a pretentious parade of a little pointless learning . In place of the relatively short , pithy prefatory chapters of Tom Jones , we are given an intolerably long , diffuse preface of forty - three pages , discussing all of the ...
... given a pretentious parade of a little pointless learning . In place of the relatively short , pithy prefatory chapters of Tom Jones , we are given an intolerably long , diffuse preface of forty - three pages , discussing all of the ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York