Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 56
Pagina 18
... hand . But why stop here ? The author is present in every speech given by any character who has had conferred upon him , in whatever manner , the badge of reliability . Once we know that God is God in Job , once we know that Monna ...
... hand . But why stop here ? The author is present in every speech given by any character who has had conferred upon him , in whatever manner , the badge of reliability . Once we know that God is God in Job , once we know that Monna ...
Pagina 38
... hand , “ reality to be experienced , ” and , on the other , " form to be contemplated . " A dialectical history of modern criticism could be written in terms of the warfare between those who think of fiction as something that must above ...
... hand , “ reality to be experienced , ” and , on the other , " form to be contemplated . " A dialectical history of modern criticism could be written in terms of the warfare between those who think of fiction as something that must above ...
Pagina 57
... hand , there are explicitly didactic authors , ranging from allegorists like Bunyan to philosophi- cal propagandists like Sartre.54 Satirists like Swift and Voltaire , though they may indulge in some realistic effects for their own sake ...
... hand , there are explicitly didactic authors , ranging from allegorists like Bunyan to philosophi- cal propagandists like Sartre.54 Satirists like Swift and Voltaire , though they may indulge in some realistic effects for their own sake ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
14 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Recueil général des opéras représentés par l'Academie royale de ..., Volume 1 Visualizzazione completa |
Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York