Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
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Pagina 47
... heightening particular reactions , like pity , or " the comedy . " But if there is conflict between what is re- quired to heighten tragic or comic emotions and what is required for general intensity of illusion , he never hesitates . It ...
... heightening particular reactions , like pity , or " the comedy . " But if there is conflict between what is re- quired to heighten tragic or comic emotions and what is required for general intensity of illusion , he never hesitates . It ...
Pagina 196
HEIGHTENING THE SIGNIFICANCE OF EVENTS Commentary about the moral and intellectual qualities of charac- ters always ... heighten the signif- icance of the resolution when it comes . " Having placed my heroine in the happiest of all ...
HEIGHTENING THE SIGNIFICANCE OF EVENTS Commentary about the moral and intellectual qualities of charac- ters always ... heighten the signif- icance of the resolution when it comes . " Having placed my heroine in the happiest of all ...
Pagina 276
... heightening of her character is needed to make us unite with her against the hostile world around her ; simply because ... heighten our sym- pathy and pity , would probably do more harm than good - particu- larly since the story comes ...
... heightening of her character is needed to make us unite with her against the hostile world around her ; simply because ... heighten our sym- pathy and pity , would probably do more harm than good - particu- larly since the story comes ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
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Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York