Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 62
Pagina 32
... human " world of Moravia , Silone , Camus , Faulkner , Graham Greene , and Malraux from the " artistic " world of the earlier generation of Proust , Joyce , and Mann . The “ human ” quality of the second generation is revealed by its ...
... human " world of Moravia , Silone , Camus , Faulkner , Graham Greene , and Malraux from the " artistic " world of the earlier generation of Proust , Joyce , and Mann . The “ human ” quality of the second generation is revealed by its ...
Pagina 120
... human , all too human , elements predominant in romantic and naturalistic production " ( p . 11 ) . " Tears and laughter are , aesthetically , frauds " ( p . 25 ) . Speaking for " the most alert young people of two successive gen ...
... human , all too human , elements predominant in romantic and naturalistic production " ( p . 11 ) . " Tears and laughter are , aesthetically , frauds " ( p . 25 ) . Speaking for " the most alert young people of two successive gen ...
Pagina 295
... human beings which he is exploring is that they are full of duplicity : " After prolonged research on myself , I brought out the fundamental duplicity of the human being " ( p . 84 ) . Thus it is true that the destructive aspect of the ...
... human beings which he is exploring is that they are full of duplicity : " After prolonged research on myself , I brought out the fundamental duplicity of the human being " ( p . 84 ) . Thus it is true that the destructive aspect of the ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York