Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
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Pagina 31
... ideas . " 20 " But why ? " asks a young friend of hers who had committed the unforgiveable faux pas of expressing ... ideas , " see Lionel Trilling , " Art and Fortune , " The Liberal Imagination ( New York , 1950 ) , and Melvin Seiden ...
... ideas . " 20 " But why ? " asks a young friend of hers who had committed the unforgiveable faux pas of expressing ... ideas , " see Lionel Trilling , " Art and Fortune , " The Liberal Imagination ( New York , 1950 ) , and Melvin Seiden ...
Pagina 321
... Ideas , " in Reason and Imagination : Studies in the History of Ideas , 1600-1800 , ed . J. A. Mazzeo [ New York , 1962 ] ) . But the real point is that decision is here extremely difficult . as this farewell . I reproached him a ...
... Ideas , " in Reason and Imagination : Studies in the History of Ideas , 1600-1800 , ed . J. A. Mazzeo [ New York , 1962 ] ) . But the real point is that decision is here extremely difficult . as this farewell . I reproached him a ...
Pagina 345
... idea into another very different though related idea , has been so common since James that we tend to take 4 Though James can be confusing about the two kinds of subject - subject as generating idea and subject as the culminating form ...
... idea into another very different though related idea , has been so common since James that we tend to take 4 Though James can be confusing about the two kinds of subject - subject as generating idea and subject as the culminating form ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York