Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 15
Pagina 93
... Imitation in Antiquity , " ibid . , esp . pp . 168-74 . On some current varieties of " rhetorical " criticism , see R. S. Crane , The Languages of Criticism and the Structure of Poetry ( Toronto , 1953 ) , esp . pp . 115–28 , 197 ...
... Imitation in Antiquity , " ibid . , esp . pp . 168-74 . On some current varieties of " rhetorical " criticism , see R. S. Crane , The Languages of Criticism and the Structure of Poetry ( Toronto , 1953 ) , esp . pp . 115–28 , 197 ...
Pagina 430
tain Greenland , Written in Imitation of All Those Wise , Learned , Witty , and Humorous Authors Who Either Already Have , or Hereafter May Write in the Same Stile and Manner ( 1752 ) ; ( i ) [ Kidgell , John ] , The Card ( 1755 ) ; ( j ) ...
tain Greenland , Written in Imitation of All Those Wise , Learned , Witty , and Humorous Authors Who Either Already Have , or Hereafter May Write in the Same Stile and Manner ( 1752 ) ; ( i ) [ Kidgell , John ] , The Card ( 1755 ) ; ( j ) ...
Pagina 444
Imitation of life by art , 79 Immoralist , The , 181 n . Immorality , in novel ; see Morality Heart of Darkness , 152 , 154 , 286 , 297 , Impartiality , 13 , 77-82 problem of defining , 36 ; see also Kinds ,. Hawthorne , Nathaniel , 26 ...
Imitation of life by art , 79 Immoralist , The , 181 n . Immorality , in novel ; see Morality Heart of Darkness , 152 , 154 , 286 , 297 , Impartiality , 13 , 77-82 problem of defining , 36 ; see also Kinds ,. Hawthorne , Nathaniel , 26 ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
14 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Recueil général des opéras représentés par l'Academie royale de ..., Volume 1 Visualizzazione completa |
Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York