Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
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... IMPERSONAL NARRATION X The Uses of Authorial Silence " Exit Author " Once Again Control of Sympathy Control of Clarity and Confusion " Secret Communion " between Author and Reader XI The Price of Impersonal Narration , I : Confusion of ...
... IMPERSONAL NARRATION X The Uses of Authorial Silence " Exit Author " Once Again Control of Sympathy Control of Clarity and Confusion " Secret Communion " between Author and Reader XI The Price of Impersonal Narration , I : Confusion of ...
Pagina 83
... IMPERSONAL TECHNIQUES Impersonal narration may , in fact , encourage the very subjectivism that it is supposed to cure . The effort to avoid signs of explicit evaluation can be peculiarly dangerous for the author who is fight- ing to ...
... IMPERSONAL TECHNIQUES Impersonal narration may , in fact , encourage the very subjectivism that it is supposed to cure . The effort to avoid signs of explicit evaluation can be peculiarly dangerous for the author who is fight- ing to ...
Pagina 312
... impersonal save for the most obvious and indispensa- ble little note of neatness , firmness and courage - without which she wouldn't have had her data . " 2 In a notebook entry he says , " The story to be told - tolerably obviously - by ...
... impersonal save for the most obvious and indispensa- ble little note of neatness , firmness and courage - without which she wouldn't have had her data . " 2 In a notebook entry he says , " The story to be told - tolerably obviously - by ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York