Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 93
Pagina 12
... important , by the quality of what is revealed when- ever we enter her thoughts . Whereupon the lady was silent a while , bethinking her what she should do . She knew that Federigo had long loved her , and had never had so much as a ...
... important , by the quality of what is revealed when- ever we enter her thoughts . Whereupon the lady was silent a while , bethinking her what she should do . She knew that Federigo had long loved her , and had never had so much as a ...
Pagina 285
... important to an author , and if he desires to heighten the mystery for the " first - time reader , " then a ... important question in a lively form if the reader is to care about reading on to find the answer , or to feel the importance ...
... important to an author , and if he desires to heighten the mystery for the " first - time reader , " then a ... important question in a lively form if the reader is to care about reading on to find the answer , or to feel the importance ...
Pagina 303
... important , such a claim may lead us to forget that to decipher allusions and subtleties is only one form of active collabo- ration by the reader - and not the most important form at that . There are many things a reader can be asked to ...
... important , such a claim may lead us to forget that to decipher allusions and subtleties is only one form of active collabo- ration by the reader - and not the most important form at that . There are many things a reader can be asked to ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York