Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
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Pagina 22
... individual scenes more viv- idly . " - CAROLINE GORDON " In proportion as in what Fiction offers us we see life without rearrangement do we feel that we are touching the truth ; in proportion as we see it with rearrangement do we feel ...
... individual scenes more viv- idly . " - CAROLINE GORDON " In proportion as in what Fiction offers us we see life without rearrangement do we feel that we are touching the truth ; in proportion as we see it with rearrangement do we feel ...
Pagina 32
... individual works . Despite Lewis ' constant effort to " ob- serve and stress important differences " in order to do justice to individual works , it is not surprising that he encounters a conflict between his thesis and his efforts at ...
... individual works . Despite Lewis ' constant effort to " ob- serve and stress important differences " in order to do justice to individual works , it is not surprising that he encounters a conflict between his thesis and his efforts at ...
Pagina 54
... , 1959 ) , p . 74. See epigraphs to this chapter . 50 Stream of Consciousness in the Modern Novel ( Berkeley , Calif . , 1954 ) , pp . 6 , 7 . patterns of individual works are stratagems to give form to Purity and Rhetoric 54.
... , 1959 ) , p . 74. See epigraphs to this chapter . 50 Stream of Consciousness in the Modern Novel ( Berkeley , Calif . , 1954 ) , pp . 6 , 7 . patterns of individual works are stratagems to give form to Purity and Rhetoric 54.
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York