The Rhetoric Of Fiction |
Dall'interno del libro
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Pagina 163
We are thus in a dramatic relation with Stephen only in a limited sense— the
sense in which a lyric poem is dramatic.9 INSIDE VIEWS Finally, narrators who
provide inside views differ in the depth and the axis of their plunge. Boccaccio
can ...
We are thus in a dramatic relation with Stephen only in a limited sense— the
sense in which a lyric poem is dramatic.9 INSIDE VIEWS Finally, narrators who
provide inside views differ in the depth and the axis of their plunge. Boccaccio
can ...
Pagina 245
SYMPATHY THROUGH CONTROL OF INSIDE VIEWS The solution to the
problem of maintaining sympathy despite almost crippling faults was primarily to
use the heroine herself as a kind of narrator, though in third person, reporting on
her ...
SYMPATHY THROUGH CONTROL OF INSIDE VIEWS The solution to the
problem of maintaining sympathy despite almost crippling faults was primarily to
use the heroine herself as a kind of narrator, though in third person, reporting on
her ...
Pagina 256
In any case, even if one accepted the criticism of Jane Austen's efforts at
mystification, the larger service of the inside views is clear: the crosslights thrown
by other minds prevent our being blinded by Emma's radiance. THE RELIABLE ...
In any case, even if one accepted the criticism of Jane Austen's efforts at
mystification, the larger service of the inside views is clear: the crosslights thrown
by other minds prevent our being blinded by Emma's radiance. THE RELIABLE ...
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Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics distance dramatic E. M. Forster effect Emma Emma's emotional Essays example experience explicit F. O. Matthiessen fact Faulkner faults feel Flaubert Frank Churchill George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judge judgment Kenyon Review kind Knightley literary literature London look matter means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person PMLA poetry Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion trans Tristram Shandy true truth unreliable unreliable narrators values write York
Informazioni bibliografiche
| Titolo | The Rhetoric Of Fiction |
| Autore | Wayne C. Booth |
| pubblicato | 1965 |
| Esporta citazione | BiBTeX EndNote RefMan |