Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 45
Pagina 125
... Intellectual or cognitive : We have , or can be made to have , strong intellectual curiosity about " the facts , " the true inter- pretation , the true reasons , the true origins , the true motives , or the truth about life itself . ( 2 ) ...
... Intellectual or cognitive : We have , or can be made to have , strong intellectual curiosity about " the facts , " the true inter- pretation , the true reasons , the true origins , the true motives , or the truth about life itself . ( 2 ) ...
Pagina 126
... intellectual interests , rely in part on interests very different from intellectual curiosity ; they make us desire a quality . Though some of the qualities which some works provide are often discussed under cognitive terms like " truth ...
... intellectual interests , rely in part on interests very different from intellectual curiosity ; they make us desire a quality . Though some of the qualities which some works provide are often discussed under cognitive terms like " truth ...
Pagina 133
... intellectual , qualitative , and practical in- terests , there is no reason why great novels cannot be written rely- ing primarily on any one kind . But it is clear that no great work is based on only one interest . Whenever a work ...
... intellectual , qualitative , and practical in- terests , there is no reason why great novels cannot be written rely- ing primarily on any one kind . But it is clear that no great work is based on only one interest . Whenever a work ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York