Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 83
Pagina 124
... interest that will grasp and sustain the reader throughout the work . In setting up interest as a general criterion , I am aware of in- dulging in what may look like the apriorism that I have criticized . Why must all works be ...
... interest that will grasp and sustain the reader throughout the work . In setting up interest as a general criterion , I am aware of in- dulging in what may look like the apriorism that I have criticized . Why must all works be ...
Pagina 125
... interest us , and which are thus available for tech- nical manipulation in fiction , may be roughly divided into ... interest was necessarily of more artistic value than one based on other interests . ( 3 ) Practical : We have , or can ...
... interest us , and which are thus available for tech- nical manipulation in fiction , may be roughly divided into ... interest was necessarily of more artistic value than one based on other interests . ( 3 ) Practical : We have , or can ...
Pagina 129
... interest in technique was an adequate substitute for other interests , rather than at best a useful adjunct and at worst a harmful distraction . And some novels were written which encouraged this interest . When James and his eleven ...
... interest in technique was an adequate substitute for other interests , rather than at best a useful adjunct and at worst a harmful distraction . And some novels were written which encouraged this interest . When James and his eleven ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York