Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
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Pagina 27
... intrusions " are " violations of artistry , " but that Trollope uses the inartistic device so cleverly that at times he makes " a virtue out of a defect . " 11 Another scholar , writing sympathetically of the great eighteenth - century ...
... intrusions " are " violations of artistry , " but that Trollope uses the inartistic device so cleverly that at times he makes " a virtue out of a defect . " 11 Another scholar , writing sympathetically of the great eighteenth - century ...
Pagina 207
... intrusions suffi- ciently to suggest that they know as much about the clichés as any reader possibly can . " We must now return , as the novelists say , and as we all wish they wouldn't , to the man from Somewhere , " says one of ...
... intrusions suffi- ciently to suggest that they know as much about the clichés as any reader possibly can . " We must now return , as the novelists say , and as we all wish they wouldn't , to the man from Somewhere , " says one of ...
Pagina 229
... intrusion into more fundamental matters , and in the other the " intrusions " would themselves be integral to the effect . Just as Tristram Shandy is the mad kind of book it seems because of the life and opinions of the man it is about ...
... intrusion into more fundamental matters , and in the other the " intrusions " would themselves be integral to the effect . Just as Tristram Shandy is the mad kind of book it seems because of the life and opinions of the man it is about ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York