Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 4
Pagina 118
... intuitions of what things are real and what things are im- portant . His business is with these enduring intuitions which have the power to recognize occasions of suffering or occasions of happiness , in spite of all distortion and ...
... intuitions of what things are real and what things are im- portant . His business is with these enduring intuitions which have the power to recognize occasions of suffering or occasions of happiness , in spite of all distortion and ...
Pagina 193
... intuition that this was not too good for a serious man . The world surrounding Dick , in its empty and vicious modernity , is used both to heighten our sense of his unique value and to in- crease our sense of his vulnerability . Dick is ...
... intuition that this was not too good for a serious man . The world surrounding Dick , in its empty and vicious modernity , is used both to heighten our sense of his unique value and to in- crease our sense of his vulnerability . Dick is ...
Pagina 335
... intuition . . . . " " In those moments the world perished about his feet as if it had been [ with ] fire consumed : and thereafter his tongue grew heavy and he met the eyes of others with unanswering eyes for he felt that the spirit of ...
... intuition . . . . " " In those moments the world perished about his feet as if it had been [ with ] fire consumed : and thereafter his tongue grew heavy and he met the eyes of others with unanswering eyes for he felt that the spirit of ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York