Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 22
Pagina 210
... judge what Garment you shall have . . . . But here some waggish Readers will be apt to measure my Corn by their Bushel , and to judge that I had some cause to think of this story .. I tell thee Reader , it was no such matter , I utterly ...
... judge what Garment you shall have . . . . But here some waggish Readers will be apt to measure my Corn by their Bushel , and to judge that I had some cause to think of this story .. I tell thee Reader , it was no such matter , I utterly ...
Pagina 263
... judges her as seriously deficient ; it must also be judged in relationship to the harsh facts of the world around her ... judge Frank Churchill , his rival , down to Mrs. Elton , who has most of Emma's faults and none of her vir- tues ...
... judges her as seriously deficient ; it must also be judged in relationship to the harsh facts of the world around her ... judge Frank Churchill , his rival , down to Mrs. Elton , who has most of Emma's faults and none of her vir- tues ...
Pagina 330
aesthetic neutrality . We may judge falsely , we may judge uncon- sciously , but we cannot even bring the book to mind without judg- ing its elements , seeing them as shaped into a given kind of thing . Even if we denied that the ...
aesthetic neutrality . We may judge falsely , we may judge uncon- sciously , but we cannot even bring the book to mind without judg- ing its elements , seeing them as shaped into a given kind of thing . Even if we denied that the ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York