Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 80
Pagina 31
... kind of novel and one kind of novelist ? Can't I admire X [ a living novelist of whom Miss Gordon ap- proves ] and Aldous Huxley , too ? " And she is forced by her general principles to reply , " I'm afraid you can't . " But where do ...
... kind of novel and one kind of novelist ? Can't I admire X [ a living novelist of whom Miss Gordon ap- proves ] and Aldous Huxley , too ? " And she is forced by her general principles to reply , " I'm afraid you can't . " But where do ...
Pagina 35
... kind of work he has carefully prefigured in these many distinctions . Similarly , when Dryden considers the criteria for judging whether French or English plays are best , he frequently appeals to distinc- tions of kind : some technical ...
... kind of work he has carefully prefigured in these many distinctions . Similarly , when Dryden considers the criteria for judging whether French or English plays are best , he frequently appeals to distinc- tions of kind : some technical ...
Pagina 205
... kind of intrusion to which James ob- jected most strenuously , and it is perhaps the kind which has been most widely avoided in modern fiction.28 Any kind of praise of one's work for its artistry implies , it might seem , a lack of ...
... kind of intrusion to which James ob- jected most strenuously , and it is perhaps the kind which has been most widely avoided in modern fiction.28 Any kind of praise of one's work for its artistry implies , it might seem , a lack of ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York