Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 22
Pagina 54
... knowledge of her characters . " Obviously her purpose , had she matured , would be to “ give us a knowledge " rather than to give us comedy . " Those marvellous little speeches which sum up , in a few minutes ' chatter , all that we ...
... knowledge of her characters . " Obviously her purpose , had she matured , would be to “ give us a knowledge " rather than to give us comedy . " Those marvellous little speeches which sum up , in a few minutes ' chatter , all that we ...
Pagina 175
... knowledge about the real weather . As unreliability increases , there obviously can come a point at which such transformed information ceases to be useful even in characterization of minds , unless the author retains some method of ...
... knowledge about the real weather . As unreliability increases , there obviously can come a point at which such transformed information ceases to be useful even in characterization of minds , unless the author retains some method of ...
Pagina 344
... Knowledge , " The Sacred Fount , " The Lesson of the Master , " " The Marriages , " " The Death of the Lion , " " Four Meetings , " " The Solution , " " The Glasses , " " The Tone of Time , ” “ The Beldonald Holbein , " " The Two Faces ...
... Knowledge , " The Sacred Fount , " The Lesson of the Master , " " The Marriages , " " The Death of the Lion , " " Four Meetings , " " The Solution , " " The Glasses , " " The Tone of Time , ” “ The Beldonald Holbein , " " The Two Faces ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York