Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 15
Pagina 34
... language " rather than in distinctive structures or literary kinds is Allen Tate's " Lon- ginus and the ' New Criticism , ' " The Man of Letters in the Modern World ( New York , 1955 ) , esp . pp . 175-92 : " Longinus is quite prepared ...
... language " rather than in distinctive structures or literary kinds is Allen Tate's " Lon- ginus and the ' New Criticism , ' " The Man of Letters in the Modern World ( New York , 1955 ) , esp . pp . 175-92 : " Longinus is quite prepared ...
Pagina 227
... Language I speak , too Compact , Irregular , Abrupt and Singular " ( I , 398 ) . Like Tristram Shandy following his pen wherever it leads , he works " without premeditation , or design , the first word begets the second , and so to the ...
... Language I speak , too Compact , Irregular , Abrupt and Singular " ( I , 398 ) . Like Tristram Shandy following his pen wherever it leads , he works " without premeditation , or design , the first word begets the second , and so to the ...
Pagina 261
... language of chapter v , it satisfies both our practical desire for Emma's well - being and our appetite for the qualities proper to these artistic materials . It is thus a more resounding reso- lution than either of these elements ...
... language of chapter v , it satisfies both our practical desire for Emma's well - being and our appetite for the qualities proper to these artistic materials . It is thus a more resounding reso- lution than either of these elements ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York