Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
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Pagina 114
... language is obsolete , with the result that an external description bears less and less relation to the facts of consciousness , and it becomes increasingly necessary for the novelist to use his own imagination in tracing the connection ...
... language is obsolete , with the result that an external description bears less and less relation to the facts of consciousness , and it becomes increasingly necessary for the novelist to use his own imagination in tracing the connection ...
Pagina 189
spoke the same language , and held the same opinions , and the variety of age and sex did not divide them . Yet they were dissatis- fied ... " ( Modern Library ed . , p . 264 ) . One is struck by the ex- traordinary wealth of this ...
spoke the same language , and held the same opinions , and the variety of age and sex did not divide them . Yet they were dissatis- fied ... " ( Modern Library ed . , p . 264 ) . One is struck by the ex- traordinary wealth of this ...
Pagina 280
... language . " If , as they say , " in the long run the effect is that of tone , even of lyric meditation , " and if that is seriously marred by his failure to make it scenic , then what is there that is so great ? I suspect that ...
... language . " If , as they say , " in the long run the effect is that of tone , even of lyric meditation , " and if that is seriously marred by his failure to make it scenic , then what is there that is so great ? I suspect that ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York