Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 11
Pagina 2
... law that binds the novelist throughout , whatever course he is pursuing , is the need to be consistent on some plan , to follow the principle he has adopted . " - PERCY LUB- BOCK " A novelist can shift his view point if it comes off ...
... law that binds the novelist throughout , whatever course he is pursuing , is the need to be consistent on some plan , to follow the principle he has adopted . " - PERCY LUB- BOCK " A novelist can shift his view point if it comes off ...
Pagina 50
... laws " governing " fictional beings " : " the novelist may be either their witness or their accomplice , but never both at the same time . The novelist must be either inside or out . Because M. Mauriac does not observe these laws , he ...
... laws " governing " fictional beings " : " the novelist may be either their witness or their accomplice , but never both at the same time . The novelist must be either inside or out . Because M. Mauriac does not observe these laws , he ...
Pagina 100
... law , " and that " the way up and the way down is one and the same , " he may be accused of difficulty and even of obscurantism , but not of committing impurities in public . Yet what is the effect on the reader who knows Greek well ...
... law , " and that " the way up and the way down is one and the same , " he may be accused of difficulty and even of obscurantism , but not of committing impurities in public . Yet what is the effect on the reader who knows Greek well ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York