Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 16
Pagina 174
... limits of the immediate scene - nothing of this is sacrificed by the author's steady advance in the direction of drama . The man's mind has become visible , phenomenal , dramatic ; but in acting its part it still lends us eyes , is ...
... limits of the immediate scene - nothing of this is sacrificed by the author's steady advance in the direction of drama . The man's mind has become visible , phenomenal , dramatic ; but in acting its part it still lends us eyes , is ...
Pagina 412
... Limits of Poetry . New York , 1948 . 163. THACKERAY , WILLIAM MAKEPEACE . " De Finibus , " Cornhill Maga- zine ( August , 1862 ) . Reprinted in No. 18 , pp . 263-74 . " Among the sins of commission which novel - writers not seldom ...
... Limits of Poetry . New York , 1948 . 163. THACKERAY , WILLIAM MAKEPEACE . " De Finibus , " Cornhill Maga- zine ( August , 1862 ) . Reprinted in No. 18 , pp . 263-74 . " Among the sins of commission which novel - writers not seldom ...
Pagina 451
... limits of , 109-16 relation of , to " essence , " 102-9 to reveal " psychic being , " 55 for reversals of " natural response , " 115- 16 scenic , 101 " separable , " deplored as extraneous , 93 in Shakespeare , 110 as simile or metaphor ...
... limits of , 109-16 relation of , to " essence , " 102-9 to reveal " psychic being , " 55 for reversals of " natural response , " 115- 16 scenic , 101 " separable , " deplored as extraneous , 93 in Shakespeare , 110 as simile or metaphor ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York