Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
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Pagina 35
... literary history . One aspect of it is the loss of distinctions between levels of style suited to different literary kinds . Auerbach shows in Mimesis that this breakdown of levels has occurred in literary history whenever " everyday ...
... literary history . One aspect of it is the loss of distinctions between levels of style suited to different literary kinds . Auerbach shows in Mimesis that this breakdown of levels has occurred in literary history whenever " everyday ...
Pagina 125
... LITERARY INTEREST ( AND DISTANCE ) The values which interest us , and which are thus available for tech- nical manipulation in fiction , may be roughly divided into three kinds . ( 1 ) Intellectual or cognitive : We have , or can be ...
... LITERARY INTEREST ( AND DISTANCE ) The values which interest us , and which are thus available for tech- nical manipulation in fiction , may be roughly divided into three kinds . ( 1 ) Intellectual or cognitive : We have , or can be ...
Pagina 259
... literary irony that it can serve so well to heighten our sense of a complete and indeed perfect resolution to all that has gone before . If we look at the values that have been realized in this marriage and compare them with those ...
... literary irony that it can serve so well to heighten our sense of a complete and indeed perfect resolution to all that has gone before . If we look at the values that have been realized in this marriage and compare them with those ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York