Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 81
Pagina 34
... literature is whether it is vividly convincing , or whether it fuses opposite attitudes into ironic harmony , or whether it suggests an author with the proper objective attitude toward his materials . It may be that every critic has in ...
... literature is whether it is vividly convincing , or whether it fuses opposite attitudes into ironic harmony , or whether it suggests an author with the proper objective attitude toward his materials . It may be that every critic has in ...
Pagina 99
... literature depends on " impurities " for its great- ness , and if , as we all know , some of the purest literature is very bad indeed , degrees of purity are useless as general criteria . The truth is that , if recognizable appeals to ...
... literature depends on " impurities " for its great- ness , and if , as we all know , some of the purest literature is very bad indeed , degrees of purity are useless as general criteria . The truth is that , if recognizable appeals to ...
Pagina 137
... literature finds common ground among all the participants in the conviction that literature " involves assumptions and beliefs and sympathies with which a large measure of concurrence is indis- pensable for the reading of literature as ...
... literature finds common ground among all the participants in the conviction that literature " involves assumptions and beliefs and sympathies with which a large measure of concurrence is indis- pensable for the reading of literature as ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
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Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York