Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 64
Pagina 204
... look for an answer : I must look very closely at the commentary itself , as it re- lates to its unique context . As I do so I am almost certain to appeal , finally , to some standards that are common to many stories . For example , the ...
... look for an answer : I must look very closely at the commentary itself , as it re- lates to its unique context . As I do so I am almost certain to appeal , finally , to some standards that are common to many stories . For example , the ...
Pagina 227
... look towards one another , but ' tis with an oblique glance . . . . I love a Poetick March by leaps and skips . . . " ( III , 348-49 ) . He predicts , foreshadowing Tristram's prophecy of forty volumes , that he will proceed " in ...
... look towards one another , but ' tis with an oblique glance . . . . I love a Poetick March by leaps and skips . . . " ( III , 348-49 ) . He predicts , foreshadowing Tristram's prophecy of forty volumes , that he will proceed " in ...
Pagina 259
... look at Emma and Knightley as real people , this ending will seem false . G. B. Stern laments , in Speaking of Jane Austen , " Oh , Miss Austen , it was not a good solution ; it was a bad solution , an unhappy ending , could we see ...
... look at Emma and Knightley as real people , this ending will seem false . G. B. Stern laments , in Speaking of Jane Austen , " Oh , Miss Austen , it was not a good solution ; it was a bad solution , an unhappy ending , could we see ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York