The Rhetoric Of Fiction

aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics distance dramatic E. M. Forster effect Emma Emma's emotional Essays example experience explicit F. O. Matthiessen fact Faulkner faults feel Flaubert Frank Churchill George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judge judgment Kenyon Review kind Knightley literary literature London look matter means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person PMLA poetry Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion trans Tristram Shandy true truth unreliable unreliable narrators values write York