Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 66
Pagina 74
... matter , and consequently it will not do . We can be satisfied only with a term that is as broad as the work itself but still capable of calling attention to that work as the product of a choosing , evaluating per- son rather than as a ...
... matter , and consequently it will not do . We can be satisfied only with a term that is as broad as the work itself but still capable of calling attention to that work as the product of a choosing , evaluating per- son rather than as a ...
Pagina 102
... matter ( the matter of my subject ) but has every- thing to do with the manner ( the manner of my presentation of the same ) and yet to treat it , at close quarters and for fully econom- ic expression's possible sake , as if it were ...
... matter ( the matter of my subject ) but has every- thing to do with the manner ( the manner of my presentation of the same ) and yet to treat it , at close quarters and for fully econom- ic expression's possible sake , as if it were ...
Pagina 210
... matter , I utterly deny it . " -FRANCIS KIRKMAN , The Unlucky Citizen ( 1673 ) " Here Bernard was obliged to pause [ in reading this book ] . His eyes were blurred . . . . Well , we must go on . All this that I have been saying is only ...
... matter , I utterly deny it . " -FRANCIS KIRKMAN , The Unlucky Citizen ( 1673 ) " Here Bernard was obliged to pause [ in reading this book ] . His eyes were blurred . . . . Well , we must go on . All this that I have been saying is only ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York