Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
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Pagina 91
... mean what it could still mean for Trollope , when to render your meaning without an effort to most readers might very well mean to stop writing entirely , the serious author must surely brace himself against the demand that he take the ...
... mean what it could still mean for Trollope , when to render your meaning without an effort to most readers might very well mean to stop writing entirely , the serious author must surely brace himself against the demand that he take the ...
Pagina 94
... means of a work , in verse or not , one can give the impression of a complete system of reciprocal relations between our ideas and images on the one hand and our means of expression on the other . " Valéry maintains that it is ...
... means of a work , in verse or not , one can give the impression of a complete system of reciprocal relations between our ideas and images on the one hand and our means of expression on the other . " Valéry maintains that it is ...
Pagina 114
... means ? It is not enough to say that it need not mean anything because it simply is . The mean- ingless accumulation of accurately observed detail cannot satisfy us for long ; only if the details are made to tell , only if they are ...
... means ? It is not enough to say that it need not mean anything because it simply is . The mean- ingless accumulation of accurately observed detail cannot satisfy us for long ; only if the details are made to tell , only if they are ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York