Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 30
Pagina 53
... ment , I have granted to Balzac an almost unlimited credit " ( p . 173 ) . In short , once I have surrendered to an omniscient narrator , I am no more inclined - except when under the spell of modern rules - to separate the narrator's ...
... ment , I have granted to Balzac an almost unlimited credit " ( p . 173 ) . In short , once I have surrendered to an omniscient narrator , I am no more inclined - except when under the spell of modern rules - to separate the narrator's ...
Pagina 278
... ment , like hers , has been made according to conventional stand- ards of " what's Right and Wrong " ; the conclusion of the book is an attempt - I think much less successful than the beginning - to wrench us into a willingness to judge ...
... ment , like hers , has been made according to conventional stand- ards of " what's Right and Wrong " ; the conclusion of the book is an attempt - I think much less successful than the beginning - to wrench us into a willingness to judge ...
Pagina 311
... ment , more often in the form of disputes like the famous trial of the poor narrator of James's The Turn of the Screw . σε A great deal of unnecessary mystery has been made of the apparent ambiguity " in The Turn of the Screw , we are ...
... ment , more often in the form of disputes like the famous trial of the poor narrator of James's The Turn of the Screw . σε A great deal of unnecessary mystery has been made of the apparent ambiguity " in The Turn of the Screw , we are ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York