Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
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Pagina 43
... mind at work on reality . Feeling as he did that the most interesting subject was a fine but " bewildered " mind dealing with life ( pp . 63–64 , 66 , for example ) , he was disturbed by Flaubert's choice of stupid minds as centers of ...
... mind at work on reality . Feeling as he did that the most interesting subject was a fine but " bewildered " mind dealing with life ( pp . 63–64 , 66 , for example ) , he was disturbed by Flaubert's choice of stupid minds as centers of ...
Pagina 45
... mind , not a godlike mind unattached to the human condition . At the same time mere bewildered lim- itation is not enough ; if the experience is to be more intense than our own observations , the mind used as observer must be " the most ...
... mind , not a godlike mind unattached to the human condition . At the same time mere bewildered lim- itation is not enough ; if the experience is to be more intense than our own observations , the mind used as observer must be " the most ...
Pagina 174
... mind.5 But we can accept James's importance without agreeing with Lubbock that James's solution to the problem of summary exacts no price . " The novelist , more free than the playwright , could of course tell us , if he chose , what ...
... mind.5 But we can accept James's importance without agreeing with Lubbock that James's solution to the problem of summary exacts no price . " The novelist , more free than the playwright , could of course tell us , if he chose , what ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York