Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
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Pagina 41
modern fiction . " 31 But there is almost always in such statements the implication that the author should want dramatic vividness and that therefore anything that seems to get in its way is suspect.32 In one of the best recent books on ...
modern fiction . " 31 But there is almost always in such statements the implication that the author should want dramatic vividness and that therefore anything that seems to get in its way is suspect.32 In one of the best recent books on ...
Pagina 153
... modern fiction are the third - person " centers of consciousness " through whom au- thors have filtered their narratives . Whether such " reflectors , " as James sometimes called them , are highly polished mirrors reflecting complex ...
... modern fiction are the third - person " centers of consciousness " through whom au- thors have filtered their narratives . Whether such " reflectors , " as James sometimes called them , are highly polished mirrors reflecting complex ...
Pagina 399
... Modern Fiction : 1920–1951 . Representing the Achievement of Modern American and British Critics . New York , 1952 . Includes an indispensable bibliography . 2. ALLEN , WALTER . The English Novel : A Short Critical History . London ...
... Modern Fiction : 1920–1951 . Representing the Achievement of Modern American and British Critics . New York , 1952 . Includes an indispensable bibliography . 2. ALLEN , WALTER . The English Novel : A Short Critical History . London ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York