Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 90
Pagina 132
... moral judgments never occur in his books except in mockery . And yet the full force of A Portrait of the Artist depends on the essentially moral quality of Stephen's discovery of his artistic vocation and of his integrity in following ...
... moral judgments never occur in his books except in mockery . And yet the full force of A Portrait of the Artist depends on the essentially moral quality of Stephen's discovery of his artistic vocation and of his integrity in following ...
Pagina 385
... morally questionable , we must turn to those in which an author's moral judgment is misread because of the powerful blandishments of his immoral narrator . THE AUTHOR'S MORAL JUDGMENT OBSCURED Impersonal works are not of course alone in ...
... morally questionable , we must turn to those in which an author's moral judgment is misread because of the powerful blandishments of his immoral narrator . THE AUTHOR'S MORAL JUDGMENT OBSCURED Impersonal works are not of course alone in ...
Pagina 448
... Moral beliefs of reader , 118 Moral choice , 11 as source of sympathy , 131 Moral distance , 157 ; see also Distance Moral judgment as impurity , 124 as inseparable from form , 397 by reader , 131 Moral problems , James on , 95 Moral ...
... Moral beliefs of reader , 118 Moral choice , 11 as source of sympathy , 131 Moral distance , 157 ; see also Distance Moral judgment as impurity , 124 as inseparable from form , 397 by reader , 131 Moral problems , James on , 95 Moral ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York