Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 46
Pagina 151
... narrator's own mind and heart as we are in learning what else the author has to tell us . When Horatio tells of his ... Narration 151 Dramatized and Undramatized Narrators.
... narrator's own mind and heart as we are in learning what else the author has to tell us . When Horatio tells of his ... Narration 151 Dramatized and Undramatized Narrators.
Pagina 219
... narrator's wit is clumsy , " his " wisdom unconvincing . In The Countess of Dellwyn ( 1759 ) , in place of Fielding's compelling self - image we are given a pretentious parade of a little pointless learning . In place of the relatively ...
... narrator's wit is clumsy , " his " wisdom unconvincing . In The Countess of Dellwyn ( 1759 ) , in place of Fielding's compelling self - image we are given a pretentious parade of a little pointless learning . In place of the relatively ...
Pagina 300
... narrator's plight . The effects we turn to now require a secret communion of the author and reader behind the narrator's back . Few modern narrators are made up entirely of qualities at either extreme , but the predominance of one kind ...
... narrator's plight . The effects we turn to now require a secret communion of the author and reader behind the narrator's back . Few modern narrators are made up entirely of qualities at either extreme , but the predominance of one kind ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York