Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
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Pagina 97
... natural poetic object which will serve , in itself , as a formula for particular emotions . The truth is that dozens of different concepts of what is " natural " have been covered by this convenient notion of the object which corre ...
... natural poetic object which will serve , in itself , as a formula for particular emotions . The truth is that dozens of different concepts of what is " natural " have been covered by this convenient notion of the object which corre ...
Pagina 111
... natural . " I simply imagined , " he says , " a group of people and subjected them to the simple universal natural catastrophes which are flood and fire with a simple natural motive [ burial ] to give direction to their progress . " 24 ...
... natural . " I simply imagined , " he says , " a group of people and subjected them to the simple universal natural catastrophes which are flood and fire with a simple natural motive [ burial ] to give direction to their progress . " 24 ...
Pagina 448
... Natural Child , 159 , 268 Natural object , 97-98 , 109 , 112-13 , 116 as adequate symbol , 96-120 Natural response ambiguity of , 111-13 reversals of , 115-16 weakness of , 110 Natural sequence , proportion , or duration , 19 Natural ...
... Natural Child , 159 , 268 Natural object , 97-98 , 109 , 112-13 , 116 as adequate symbol , 96-120 Natural response ambiguity of , 111-13 reversals of , 115-16 weakness of , 110 Natural sequence , proportion , or duration , 19 Natural ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York