The Rhetoric Of Fiction |
Dall'interno del libro
Risultati 1-3 di 89
Pagina 19
12 If this is so, the author must never summarize, never curtail a conversation,
never telescope the events of three days into a paragraph. "If I pack six months
into a single page, the reader jumps out of the book" (p. 229). Sartre is certainly
right ...
12 If this is so, the author must never summarize, never curtail a conversation,
never telescope the events of three days into a paragraph. "If I pack six months
into a single page, the reader jumps out of the book" (p. 229). Sartre is certainly
right ...
Pagina 112
But I can never rely on myself to recognize decency or courage when I see them,
and more often than not the truth annoys me on first encounter or is dismissed as
falsehood. The notion of firmly constituted natural objects inducing natural ...
But I can never rely on myself to recognize decency or courage when I see them,
and more often than not the truth annoys me on first encounter or is dismissed as
falsehood. The notion of firmly constituted natural objects inducing natural ...
Pagina 132
Conventional moral judgments never occur in his books except in mockery. And
yet the full force of A Portrait of the Artist depends on the essentially moral quality
of Stephen's discovery of his artistic vocation and of his integrity in following ...
Conventional moral judgments never occur in his books except in mockery. And
yet the full force of A Portrait of the Artist depends on the essentially moral quality
of Stephen's discovery of his artistic vocation and of his integrity in following ...
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Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics distance dramatic E. M. Forster effect Emma Emma's emotional Essays example experience explicit F. O. Matthiessen fact Faulkner faults feel Flaubert Frank Churchill George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judge judgment Kenyon Review kind Knightley literary literature London look matter means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person PMLA poetry Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion trans Tristram Shandy true truth unreliable unreliable narrators values write York