Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 50
Pagina 157
... norms of his implied author and the norms of the postulated reader . Often enough , there is very little fundamental distance to begin with ; Jane Austen does not have to convince us that pride and prejudice are undesirable . A bad book ...
... norms of his implied author and the norms of the postulated reader . Often enough , there is very little fundamental distance to begin with ; Jane Austen does not have to convince us that pride and prejudice are undesirable . A bad book ...
Pagina 182
... NORMS If novelists must work hard to establish their norms , they often must work even harder to make us judge their characters accurately in the light of those norms . After all , Author's Voice in Fiction 182 Relating Particulars to ...
... NORMS If novelists must work hard to establish their norms , they often must work even harder to make us judge their characters accurately in the light of those norms . After all , Author's Voice in Fiction 182 Relating Particulars to ...
Pagina 448
... Norms as criterion , chap . xiii ( passim ) as dependent on " amount of felt life , " 45 in novel , Lawrence on , 79 and technique , 377-98 vicious , best kept unstated , 84 of " writing well , " 388 Moravia , Alberto , 32-33 Morris ...
... Norms as criterion , chap . xiii ( passim ) as dependent on " amount of felt life , " 45 in novel , Lawrence on , 79 and technique , 377-98 vicious , best kept unstated , 84 of " writing well , " 388 Moravia , Alberto , 32-33 Morris ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
14 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Recueil général des opéras représentés par l'Academie royale de ..., Volume 1 Visualizzazione completa |
Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York