Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
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Pagina 60
... novelist succeeds best whose every line is as vivid and intense as every other . If a novelist could achieve such a uniform intensity of whatever quality he cares about most , would he expect the reader to climb by himself to the height ...
... novelist succeeds best whose every line is as vivid and intense as every other . If a novelist could achieve such a uniform intensity of whatever quality he cares about most , would he expect the reader to climb by himself to the height ...
Pagina 91
Wayne C. Booth. pected to tolerate the attitudes of earlier novelists like Trollope, who claimed that the novelist's first duty is to "make himself pleasant," and that to do so he must render his meaning "without an effort to the reader ...
Wayne C. Booth. pected to tolerate the attitudes of earlier novelists like Trollope, who claimed that the novelist's first duty is to "make himself pleasant," and that to do so he must render his meaning "without an effort to the reader ...
Pagina 174
... novelist . We need only look at any one of thousands of " informative " novels written before and since his time to realize the importance of his effort to make everything count . The travelogues inserted by Balzac ( for example , Les ...
... novelist . We need only look at any one of thousands of " informative " novels written before and since his time to realize the importance of his effort to make everything count . The travelogues inserted by Balzac ( for example , Les ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York