Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 41
Pagina 97
... object which will serve , in itself , as a formula for particular emotions . The truth is that dozens of different concepts of what is " natural " have been covered by this convenient notion of the object which corre- lates with the ...
... object which will serve , in itself , as a formula for particular emotions . The truth is that dozens of different concepts of what is " natural " have been covered by this convenient notion of the object which corre- lates with the ...
Pagina 98
... object " was . If this is true , how can we question the claim that the " natural object " is adequate ? Must not the very presence of Gogol's many other , more easily recognizable , appeals to the reader be a sign of inadequate faith ...
... object " was . If this is true , how can we question the claim that the " natural object " is adequate ? Must not the very presence of Gogol's many other , more easily recognizable , appeals to the reader be a sign of inadequate faith ...
Pagina 115
... object " ? If so , why may not the author provide , as part of the object , scenes designed to make the context clear to the reader but not really necessary to the " object " ? And if the object itself can be expanded in this way , as ...
... object " ? If so , why may not the author provide , as part of the object , scenes designed to make the context clear to the reader but not really necessary to the " object " ? And if the object itself can be expanded in this way , as ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
14 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Recueil général des opéras représentés par l'Academie royale de ..., Volume 1 Visualizzazione completa |
Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York