Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 34
Pagina 164
... omniscient , " " first per- son , " " limited omniscient , " " objective , " " roving , " " effaced , " or whatever - his troubles have just begun . He simply cannot find an- swers to his immediate , precise , practical problems by ...
... omniscient , " " first per- son , " " limited omniscient , " " objective , " " roving , " " effaced , " or whatever - his troubles have just begun . He simply cannot find an- swers to his immediate , precise , practical problems by ...
Pagina 448
... omniscient , 12 , 40 , 45 , 50 , 57 , 150 , 275 as person , 273 relation as term to implied author , 73 self ... omniscience , 285 as effect of silence , 273 " Necklace , The , " 156 Neutrality , 67-77 distinct from impassibilité , 82 ...
... omniscient , 12 , 40 , 45 , 50 , 57 , 150 , 275 as person , 273 relation as term to implied author , 73 self ... omniscience , 285 as effect of silence , 273 " Necklace , The , " 156 Neutrality , 67-77 distinct from impassibilité , 82 ...
Pagina 449
... Omniscience , 160 , 265 Omniscient author , 171 ; see also Com- mentary ; Omniscient narrator in Faulkner , 161 Omniscient commentary , synthesis with other elements , 53 Omniscient narrator , 12 , 40 , 45 , 50 , 57 , 150 , 275 ; see ...
... Omniscience , 160 , 265 Omniscient author , 171 ; see also Com- mentary ; Omniscient narrator in Faulkner , 161 Omniscient commentary , synthesis with other elements , 53 Omniscient narrator , 12 , 40 , 45 , 50 , 57 , 150 , 275 ; see ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York