Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 9
Pagina 140
... Perfection " more than they might a second - rate Protestant hymn . It means simply that differences of belief , even in the sense of abstract , speculative sys- tems , are always to some extent relevant , often seriously hampering ...
... Perfection " more than they might a second - rate Protestant hymn . It means simply that differences of belief , even in the sense of abstract , speculative sys- tems , are always to some extent relevant , often seriously hampering ...
Pagina 193
... perfection are the flaws in his character and the many threats of the world surrounding him . His flaws are few , but ominous . He occasionally cannot resist striving for mere charm , as in the scene with Kaethe Gregorovius which leads ...
... perfection are the flaws in his character and the many threats of the world surrounding him . His flaws are few , but ominous . He occasionally cannot resist striving for mere charm , as in the scene with Kaethe Gregorovius which leads ...
Pagina 265
... perfection established by the book she writes ; she even recog- nizes that human perfection of the kind she exemplifies is not quite attainable in real life . The process of her domination is of course circular ; her character ...
... perfection established by the book she writes ; she even recog- nizes that human perfection of the kind she exemplifies is not quite attainable in real life . The process of her domination is of course circular ; her character ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York