Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
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Pagina 50
... Philosophical Essays , trans . Annette Michelson ( London , 1955 ) , p . 16. Originally published as a review of Mauriac's La fin de la nuit in Nouvelle Revue Française ( February , 1939 ) . There are recent signs ( January , 1961 ) ...
... Philosophical Essays , trans . Annette Michelson ( London , 1955 ) , p . 16. Originally published as a review of Mauriac's La fin de la nuit in Nouvelle Revue Française ( February , 1939 ) . There are recent signs ( January , 1961 ) ...
Pagina 141
... philosophies than are comprehended in most of our dogmas ; it is precisely this centrality , this lack of bias , this ... philosophical or religious or political formulation that will satisfy all readers , it is not difficult to list in ...
... philosophies than are comprehended in most of our dogmas ; it is precisely this centrality , this lack of bias , this ... philosophical or religious or political formulation that will satisfy all readers , it is not difficult to list in ...
Pagina 394
... philosophical as- sumption of unphilosophical writers since Kant has been a kind of subjective art - ism : there is value , but it is only what the artist cre- ates out of the chaos . Now it is possible , I think , to derive even from ...
... philosophical as- sumption of unphilosophical writers since Kant has been a kind of subjective art - ism : there is value , but it is only what the artist cre- ates out of the chaos . Now it is possible , I think , to derive even from ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York