Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 16
Pagina 68
... physical scientists show in studying matter , we will have taken an immense step forward . " Art must achieve “ by a pitiless method , the precision of the physical sciences . " 4 It should be unnecessary here to show that no author can ...
... physical scientists show in studying matter , we will have taken an immense step forward . " Art must achieve “ by a pitiless method , the precision of the physical sciences . " 4 It should be unnecessary here to show that no author can ...
Pagina 281
... physical revulsion can be overcome by it , as we see when Kafka binds our sympathies to the man - cockroach , Gregor Samsa , in The Metamorphosis ( 1912 ) . Physically , Gregor is as far from human sympathy as could be , and his ...
... physical revulsion can be overcome by it , as we see when Kafka binds our sympathies to the man - cockroach , Gregor Samsa , in The Metamorphosis ( 1912 ) . Physically , Gregor is as far from human sympathy as could be , and his ...
Pagina 449
... Physical distance ; see Distance Physical vividness , 60-62 , 128 Picaresque hero , 380 Picasso , 329 Picture , 25 , 154 ; see also Scene ; Summary ; Telling Pictures from an Institution , 85-86 Pierre and Jean , 184 Pilgrim's Progress ...
... Physical distance ; see Distance Physical vividness , 60-62 , 128 Picaresque hero , 380 Picasso , 329 Picture , 25 , 154 ; see also Scene ; Summary ; Telling Pictures from an Institution , 85-86 Pierre and Jean , 184 Pilgrim's Progress ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York