Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 40
Pagina 12
... pleasure in such an outcome - a pleasure which might have been mild indeed considering that there are nine other tales attempting something like the same effect - the two main characters must be established with great precision . First ...
... pleasure in such an outcome - a pleasure which might have been mild indeed considering that there are nine other tales attempting something like the same effect - the two main characters must be established with great precision . First ...
Pagina 135
... pleasure in seeing someone whom we like triumph over difficulties and there is a pleasure in recognizing that life is so com- plex that no one ever triumphs unambiguously . Both pleasures can- not be realized to the full in the same ...
... pleasure in seeing someone whom we like triumph over difficulties and there is a pleasure in recognizing that life is so com- plex that no one ever triumphs unambiguously . Both pleasures can- not be realized to the full in the same ...
Pagina 179
... pleasure than to preach the pleasure of morality . " The pleasure we take in such passages depends on their comic attack on conventional morality , and they are in this aspect self - justifying . Yet the attack is itself needed to ...
... pleasure than to preach the pleasure of morality . " The pleasure we take in such passages depends on their comic attack on conventional morality , and they are in this aspect self - justifying . Yet the attack is itself needed to ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York