Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 16
Pagina 125
... practical aspect even in the most uncompromising novel of ideas that might seem to fall entirely under 1. Our desire may , second , be for a change of quality in a character ; one finds this practical aspect even in the purely ...
... practical aspect even in the most uncompromising novel of ideas that might seem to fall entirely under 1. Our desire may , second , be for a change of quality in a character ; one finds this practical aspect even in the purely ...
Pagina 133
... practical , and in themselves seemingly " non - aesthetic , " materials . COMBINATIONS AND CONFLICTS OF INTERESTS Since men do have strong intellectual , qualitative , and practical in- terests , there is no reason why great novels ...
... practical , and in themselves seemingly " non - aesthetic , " materials . COMBINATIONS AND CONFLICTS OF INTERESTS Since men do have strong intellectual , qualitative , and practical in- terests , there is no reason why great novels ...
Pagina 450
... Practical interests ; see also Emotional in- volvement ; Hatred ; Interests ; Sym- pathy desire for comic punishment , 15 desire for success , 12 Precision , 10 Prejudices , in author , 70 , chap . iii ( pas- sim ) " Premature Burial ...
... Practical interests ; see also Emotional in- volvement ; Hatred ; Interests ; Sym- pathy desire for comic punishment , 15 desire for success , 12 Precision , 10 Prejudices , in author , 70 , chap . iii ( pas- sim ) " Premature Burial ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York