Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 23
Pagina 52
... principles of realism to the letter ; portraying an action that lasts for eighty - eight minutes , the film itself lasts eighty - eight minutes , an awesome instance of devotion to principle . Reviewers seemed singularly ungrateful for ...
... principles of realism to the letter ; portraying an action that lasts for eighty - eight minutes , the film itself lasts eighty - eight minutes , an awesome instance of devotion to principle . Reviewers seemed singularly ungrateful for ...
Pagina 164
... principles about it . There are systematic elements in every art , and criticism of fiction can never avoid the responsibility of trying to explain technical successes and failures by reference to general prin- ciples . But we must ...
... principles about it . There are systematic elements in every art , and criticism of fiction can never avoid the responsibility of trying to explain technical successes and failures by reference to general prin- ciples . But we must ...
Pagina 191
... principle of realistic narration , popular at the time , that might lead us to choose the earlier version : It is " un- realistic " to begin at the beginning and plod methodically through to the end . Under the impact of James's ...
... principle of realistic narration , popular at the time , that might lead us to choose the earlier version : It is " un- realistic " to begin at the beginning and plod methodically through to the end . Under the impact of James's ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York