Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
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Pagina 31
... problem of giving reasons for my stand- ards in the first place , and for thinking that they should apply to all these things called novels . One need not read very far in modern criticism to discover how often critics avoid this problem ...
... problem of giving reasons for my stand- ards in the first place , and for thinking that they should apply to all these things called novels . One need not read very far in modern criticism to discover how often critics avoid this problem ...
Pagina 91
... problem is essentially a problem of readers , not a problem of writers " ( p . 216 ) . Yet at least two of the novelists in his volume , Ralph Ellison and Harvey Swados , have a good deal to say about the novelist's prob- lem in dealing ...
... problem is essentially a problem of readers , not a problem of writers " ( p . 216 ) . Yet at least two of the novelists in his volume , Ralph Ellison and Harvey Swados , have a good deal to say about the novelist's prob- lem in dealing ...
Pagina 245
... problem by reducing either the love or the clear view of her faults would have been fatal . SYMPATHY THROUGH CONTROL OF INSIDE VIEWS The solution to the problem of maintaining sympathy despite al- most crippling faults was primarily to ...
... problem by reducing either the love or the clear view of her faults would have been fatal . SYMPATHY THROUGH CONTROL OF INSIDE VIEWS The solution to the problem of maintaining sympathy despite al- most crippling faults was primarily to ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York