Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
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Pagina 63
... produces the unimpassioned observations . But Jealousy is less than 35,000 words long - hardly a third longer than Molly ... produced such experiments has been wrong . No theory that has helped to stimulate valuable fiction should be ...
... produces the unimpassioned observations . But Jealousy is less than 35,000 words long - hardly a third longer than Molly ... produced such experiments has been wrong . No theory that has helped to stimulate valuable fiction should be ...
Pagina 92
... produce this effect by " spectacular means ” —that is , by the producer's rhetoric - is a " less artistic method , and dependent on extraneous aids " ( xiv . 2 ) . Unlike many modern aestheticians , Aristotle never completely repudiates ...
... produce this effect by " spectacular means ” —that is , by the producer's rhetoric - is a " less artistic method , and dependent on extraneous aids " ( xiv . 2 ) . Unlike many modern aestheticians , Aristotle never completely repudiates ...
Pagina 217
... produced . It is from the narrator's norms that Tom departs when he gets himself into trouble , yet Tom is always in ... produces a kind of comic analogue of the true believer's reliance on a benign providence in real life . It is not ...
... produced . It is from the narrator's norms that Tom departs when he gets himself into trouble , yet Tom is always in ... produces a kind of comic analogue of the true believer's reliance on a benign providence in real life . It is not ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York