Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
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Pagina 63
... produces the unimpassioned observations . But Jealousy is less than 35,000 words long - hardly a third longer than Molly ... produced such experiments has been wrong . No theory that has helped to stimulate valuable fiction should be ...
... produces the unimpassioned observations . But Jealousy is less than 35,000 words long - hardly a third longer than Molly ... produced such experiments has been wrong . No theory that has helped to stimulate valuable fiction should be ...
Pagina 70
... produced by prejudice , considers himself as “ man in general " and forgets , if possible , his “ individual being " and his " peculiar circumstances . " To put it in this way , however , is to understate the importance of the author's ...
... produced by prejudice , considers himself as “ man in general " and forgets , if possible , his “ individual being " and his " peculiar circumstances . " To put it in this way , however , is to understate the importance of the author's ...
Pagina 366
... produced- for whatever reasons - an audience that has been thrown off balance by a barrage of ironic works . The first readers of The Turn never questioned the governess ' integrity . Their habitual experience of narrative testimony led ...
... produced- for whatever reasons - an audience that has been thrown off balance by a barrage of ironic works . The first readers of The Turn never questioned the governess ' integrity . Their habitual experience of narrative testimony led ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York