Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
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Pagina 91
... PURE ART The question cannot be answered by looking at the reader alone . Suspicion of the reader has usually been based on theories of pure art or pure poetry which demand that this , that , or the other ele- ment be purged in order ...
... PURE ART The question cannot be answered by looking at the reader alone . Suspicion of the reader has usually been based on theories of pure art or pure poetry which demand that this , that , or the other ele- ment be purged in order ...
Pagina 94
... Pure Poetry " has been echoed again and again by English and American poets and novelists , begins by distinguishing a pure poetic quality common to all true poetry . Poetry comes into ex- istence only when " words show a certain ...
... Pure Poetry " has been echoed again and again by English and American poets and novelists , begins by distinguishing a pure poetic quality common to all true poetry . Poetry comes into ex- istence only when " words show a certain ...
Pagina 450
... Pure art , theories of , 91-98 Pure fiction , desirability of , 109-16 " Pure poetry , " 94 contrasted with rhetoric , 92 Purity , 29 complete , impossible , 98 as general end , 99 compared with realism , 95-96 Purposes ; see Criteria ...
... Pure art , theories of , 91-98 Pure fiction , desirability of , 109-16 " Pure poetry , " 94 contrasted with rhetoric , 92 Purity , 29 complete , impossible , 98 as general end , 99 compared with realism , 95-96 Purposes ; see Criteria ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York