Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 84
Pagina 206
... readers , by maintaining nearly to the end of the third volume a mystery as to the fate of their favorite personage . . . . Our doctrine is , that the author and the reader should move along together in full confidence with each other ...
... readers , by maintaining nearly to the end of the third volume a mystery as to the fate of their favorite personage . . . . Our doctrine is , that the author and the reader should move along together in full confidence with each other ...
Pagina 302
... reader does quite half the labor . " 27 James is not thinking here simply of giving the reader a sense of his own cleverness . He is making his readers by forcing them onto a level of alertness that will allow for his most subtle ...
... reader does quite half the labor . " 27 James is not thinking here simply of giving the reader a sense of his own cleverness . He is making his readers by forcing them onto a level of alertness that will allow for his most subtle ...
Pagina 303
... reader work . It is no doubt true enough that the reader must be made to apply himself . The claim that Ewald makes about Swift , that the required hard work " doubtless accounts for much of the intellectual and emotional force his ...
... reader work . It is no doubt true enough that the reader must be made to apply himself . The claim that Ewald makes about Swift , that the required hard work " doubtless accounts for much of the intellectual and emotional force his ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York